Where can I get a donut
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- krzymunkey
- Posts: 143
- Joined: Tue Jul 08, 2003 2:54 pm
Where can I get a donut
ho much do they cost, how do they work?
Dream
as if you'll live forever... Live as if you'll die tomorrow...
as if you'll live forever... Live as if you'll die tomorrow...
Where can I get a donut
Krispy Kreme are my favs but Dunkin does a good
job too. I posted the address of a company that makes products for adjustments
of the flute. Forget which thread but they could sell you a nice glazed
donut.
job too. I posted the address of a company that makes products for adjustments
of the flute. Forget which thread but they could sell you a nice glazed
donut.
- flutegirl49
- Posts: 39
- Joined: Mon Nov 22, 2004 11:53 pm
- flutegirl49
- Posts: 39
- Joined: Mon Nov 22, 2004 11:53 pm
The G-donut is designed to improve high E's, just as an E-mechanism does. The flutes we all play have two G tone holes (one you operate with the left hand pinky and the other by the ring finger along with the A key). The problem is, high E plays best if there is no venting in the G tone holes. A split E mechanism solves this by allowing the right hand to close the G# key usually linked to the A key. A G donut partially covers the G tone hole so there is less venting that takes place. Sometimes, it is just a metal washer (hence the term donut), but a crescent shape is also used, so the venting is closer to the G# tone hole.
I hope I haven't made this too confusing!
Anyhow, the point of it is to make high E easier to produce, and they can be soldered in by a flute technician who knows what they are doing. It's not really a big problem if you don't have one, I consider it sort of a minor perk. I have the crescent type in my flute, and I like it. I think it may be referred to as a "high E facilitator."
I hope I haven't made this too confusing!
Anyhow, the point of it is to make high E easier to produce, and they can be soldered in by a flute technician who knows what they are doing. It's not really a big problem if you don't have one, I consider it sort of a minor perk. I have the crescent type in my flute, and I like it. I think it may be referred to as a "high E facilitator."
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lol
wow...i had 2 read that one twice!

flutegirl49 wrote:are you saying that that insert comes in GLAZED? and its called a donut?? PLUS krispy kreme nad dunkin donuts selll these GLAZED FLUTE inserts that are non edible??![]()
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there are too many coincidences here...
Nothing Matters...everything makes a difference
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- flutegirl49
- Posts: 39
- Joined: Mon Nov 22, 2004 11:53 pm
Re: lol
hahahaha... i was really confused because of this commentefhsBlueRegiment wrote:wow...i had 2 read that one twice!
flutegirl49 wrote:are you saying that that insert comes in GLAZED? and its called a donut?? PLUS krispy kreme nad dunkin donuts selll these GLAZED FLUTE inserts that are non edible??![]()
![]()
there are too many coincidences here...
Penny wrote:Krispy Kreme are my favs but Dunkin does a good
job too. I posted the address of a company that makes products for adjustments
of the flute. Forget which thread but they could sell you a nice glazed
donut.
so i thought they sold them at dunkin donuts and kirspy kreme! lols.. so i guess her respond was a bit off?



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donut confusion
yea her reply was a bit confusing, in 3 sentenses she talked about where to get a donut for ur flute, how she liked krispy kreme better, and how she thought one of the threads could sell u a nice donut! man i'm sorry that i'm blonde sometimes




Nothing Matters...everything makes a difference
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- pandagirl11
- Posts: 78
- Joined: Thu Sep 02, 2004 5:49 pm
- flutegirl49
- Posts: 39
- Joined: Mon Nov 22, 2004 11:53 pm
This is a funny thread, and for some reason, I now have a taste for donuts. If you like donuts, you'd enjoy knowing a friend of mine, who makes them from scratch. I wish I had her gumption. I'm not inclined to make anything from scratch.
For those who are interested, Miyazawa offers a good explanation with illustrations of the split E mechanism and high E facilitator:
http://www.miyazawa.com/articles/other1.htm
Question for those who have the latter (Bradford -- ick27 -- mentioned having the high E facilitator): Have you noticed a 'slight lowering of pitch of the third octave A' with this addition? Miyazawa refers to this consequence at the bottom of the page at the link above.

For those who are interested, Miyazawa offers a good explanation with illustrations of the split E mechanism and high E facilitator:
http://www.miyazawa.com/articles/other1.htm
Question for those who have the latter (Bradford -- ick27 -- mentioned having the high E facilitator): Have you noticed a 'slight lowering of pitch of the third octave A' with this addition? Miyazawa refers to this consequence at the bottom of the page at the link above.
I've noticed that the A is slightly lower in the first two octaves, but third octave A seems not to be effected. (The way you can check this is by playing an A and then pressing the Ab key down, which gives "full" venting.) The Miyizawa page has a picture of the washer shape, while mine is the crescent shape, which theoretically will not change the pitch of notes (particularly A) as much since the venting all on one side of the tone hole (the side facing the head joint) although I bet there is very little difference between the two types.
This change in pitch is ever so slight though, it's hardly noticable at all, and doesn't create a problem for me. It does improve the high E significantly though, so I think it's a good solution.
This change in pitch is ever so slight though, it's hardly noticable at all, and doesn't create a problem for me. It does improve the high E significantly though, so I think it's a good solution.
I read your first post again, and noted that you'd mentioned having the crescent shape. I have a split E mechanism. My high E has improved dramatically since I've had this flute too, and I know it's not my skill. I noticed the difference immediately. I was still curious about the statement on the Miyizawa page though, since I'm trying to learn as much as I can, even about things that don't pertain to my own flute. Thanks for sharing your thoughts Bradford.
Just the other day, I asked a flutist how long it would take for me to stop having nightmares about the third register. He replied that he'd been playing for over twenty years, and he'd let me know when he stopped having them. I don't know whether I feel better or not.
Just the other day, I asked a flutist how long it would take for me to stop having nightmares about the third register. He replied that he'd been playing for over twenty years, and he'd let me know when he stopped having them. I don't know whether I feel better or not.

- flutegirl49
- Posts: 39
- Joined: Mon Nov 22, 2004 11:53 pm