flutestudent wrote:Burke,
Yes, Both you and Powerflute are a good motivation to people like me.
How do you manage 2 hrs at a stretch?...Do you do any breathing exercises?
Hi Vish,
I'm a beginner too. We're in the same camp, but I'm retired. That's why I have a little more time to practice. I don't know that I'd be practicing as much otherwise, but my choir director at church gave me an assignment within the first month that I was playing. I thought I was going to have a stroke when she handed me that music!

Now, she has given me music for Easter, as well as Pentecost. I
have to practice a lot! If I don't, a lot of people are going to know. By golly, they might know anyway.

She is giving me easy work though. She knows my level.
I'm not the best person to make suggestions about breathing since I'm new. I can tell you what I do, but I don't know what others do. Hopefully, someone will come along to talk about this, and I certainly don't mind being corrected, especially if I'm telling you something wrong. Breathing is also probably mentioned in various places on the forum. I've found a lot of useful information just by going back through the threads and reading. That's been a good excercise for me.
I'm paying closer attention now to the way I breath all the time, which is from the diaphragm. I fill up my lungs from the bottom first, letting my abdomen extend as I take in air. At the same time, I keep my upper body and shoulders still. I continue to inhale until my lungs are completely filled to the top. I was taught to be conscious of my diaphragm and breath that way as a child, so that's more or less how I do it anyway. I'm just paying more attention to it now.
When practicing, I work on my ability to take in as large a volume of air as possible and quickly, slowly exhale, not letting too much air escape while playing. I spend a little of my practice trying to play through the time that I would ordinarly inhale again, and I play until I'm completely expended of air. Then, later, it seems much easier to sustain the notes I have to play until I'm supposed to breath. Again, that's just what I'm doing. Maybe someone here will come and say that it's wrong. If they do that, remember that
I'm the new person. I could very well be wrong.
I have recently decided to love the third register. Once I learned to relax my emboucher instead of thinking about the word "tight," the notes in the third register started to come more easily. I am not easily above G3 myself, but it's coming. I haven't been working above G3 too much either, so shame on me. That's the problem.
Finding happiness in the third register is another topic that is addressed on the forum in numerous places. If you can take a few moments to delve into the posts of the past couple of years, you'll find a lot of information that may be helpful.