Hi,
I've recently started practising the four movements of this truly epic flute solo. However, being only mediocre in talent I'm finding some of the parts very challenging. Since this is very standard flute repetoire (apparently), I'm hoping someone here who's cracked this can recommend any exercises or tips they found useful when practising it
The third part ('corrente') is the one that hurts the most.
Incidentally, there's a great rendition on spotify by Emmanuel Pahud that I'm using for inspiration; worth a listen if you're a Spotify user.
Bach's Partita in A minor for solo flute
Moderators: Classitar, pied_piper, Phineas
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Re: Bach's Partita in A minor for solo flute
what kind of challenges are you facing? so we can possibly give you some more specific advice that you can actually use! haha
"It's happening inside you; not in the flute!" - Emmanuel Pahud (At a masterclass in Sydney, Nov. 2010)
Re: Bach's Partita in A minor for solo flute
Hi,
The problems are:
I suppose it's hard to give advice without hearing me, but even sharing your own practice strategy would be of interest to me
Thanks
Robin
The problems are:
- long jumps (F1# D2 C3 C3)
- playing fast (for which I'm hoping there are a few things I can do other than just practising the final payload slowly)
- structuring my practice (I just play bits randomly - practising the first few bars, then the next few + the first few and so on)
I suppose it's hard to give advice without hearing me, but even sharing your own practice strategy would be of interest to me
Thanks
Robin
Re: Bach's Partita in A minor for solo flute
Robin
Every new piece/tune you learn should be done slowly, and should never be played faster than you are able to play it without a mistake.
This does not mean you should not try to play it faster. However, if you are playing at a given speed, and you start making mistakes, you
should play it at the fastest tempo you are able without mistakes. As you start to memorize and work out fingerings, speed will come.
Most issues I see with speed are memorization issues more than the physical aspect in most cases.(unless someone has a real physical problem of course)
Regardless what some will have you believe, the music you memorize is always to music you perform the best.
Remember, there are other factors involved besides zipping though the notes. You have to pace your breathing, work out articulation, working out rhythms, etc.....
The key in sight reading is learning a vocabulary, and recognizing what it looks like on paper. This goes for notes, and rhythm patterns. The more you do it, the more you memorize recognizable patterns, the more comfortable you will become with doing it! The only thing that makes a composition hard to play is a lack of knowledge of it.
That is my .20usd on the issue!
Phineas
One good way to get use to doing long jumps is start practicing wide intervals(4ths, 5th,....octaves, ...etc)long jumps (F1# D2 C3 C3)
This is where I am going to get flamed, but here it goes....playing fast (for which I'm hoping there are a few things I can do other than just practising the final payload slowly)
Every new piece/tune you learn should be done slowly, and should never be played faster than you are able to play it without a mistake.
This does not mean you should not try to play it faster. However, if you are playing at a given speed, and you start making mistakes, you
should play it at the fastest tempo you are able without mistakes. As you start to memorize and work out fingerings, speed will come.
Most issues I see with speed are memorization issues more than the physical aspect in most cases.(unless someone has a real physical problem of course)
Regardless what some will have you believe, the music you memorize is always to music you perform the best.
Yes, that is a good practice to a point. However, you are playing a piece/tune, not measures. It is important to attempt putting it all together.structuring my practice (I just play bits randomly - practising the first few bars, then the next few + the first few and so on)
Remember, there are other factors involved besides zipping though the notes. You have to pace your breathing, work out articulation, working out rhythms, etc.....
The key in sight reading is learning a vocabulary, and recognizing what it looks like on paper. This goes for notes, and rhythm patterns. The more you do it, the more you memorize recognizable patterns, the more comfortable you will become with doing it! The only thing that makes a composition hard to play is a lack of knowledge of it.
That is my .20usd on the issue!
Phineas
Re: Bach's Partita in A minor for solo flute
Thank you. It will be a few months of daily practice but I will crack it!