These flutes sell for more than $10,000. This is the brand/model/specs that I used to play. As for is it worth it, I loved mine. However, I would never spend so much without play testing first. That is just my personal rule. That is a huge amount of money and when buying a flute, options are limitless. I would recommend trying many of even the same flute before buying one. Even though this is probably a good deal, that does not mean it is a flute that you will like and want to play and even though they have a decent resale, you may get stuck with something you don't want after all. I ended up selling mine when I finally found the flute that I had been looking for since 1995, and in the end, I did not get back what I had in the flute.
Just to let you know, the higher end Pearl flutes made in Japan play/feel very different than the Quantz series. The headjoints, for one thing, are cut very different, so it is not like you are getting a flute just like yours only in gold. Just thought you might want to know.
That one comes with a Forte headjoint. It is the best headjoint Pearl makes in my opinion. If you really want to see a difference, and you already own a 665, I would just buy the Forte headjoint! It fits
Otherwise, I would not spend that kind of money for an instrument unless I bought it from a dealer and played on it first. I can tell you first hand price has almost nothing to do with how an instrument plays.
One of the big reasons why I parted with my Pearl was the Forte headjoint. I thought it was, well, just too loud. The name said it all! At first, it was amazing, then I had so much trouble finding piano that I got frustrated. I finally purchased another headjoint (which I still play on) that allows me to control dynamics so much better. the guy who owns the flute now truly loves it.
To be quite frank, I really don't care for the Forte headjoint.... In all honesty, I don't really care for Pearl headjoints at all. The mechanisms on Pearl flutes are great. I just don't like the headjoints. Maybe it was just the couple of Forte headjoints I tried, but for me at least, I liked the Dolce headjoint better. It seemed sweeter and less stiff for me.
But hey- I am a power player, and I like a little more resistance. You can really just blow the >bad word< out of the Forte headjoint.
fluteguy18 wrote:To be quite frank, I really don't care for the Forte headjoint.... In all honesty, I don't really care for Pearl headjoints at all. The mechanisms on Pearl flutes are great. I just don't like the headjoints. Maybe it was just the couple of Forte headjoints I tried, but for me at least, I liked the Dolce headjoint better. It seemed sweeter and less stiff for me.
But hey- I am a power player, and I like a little more resistance. You can really just blow the >bad word< out of the Forte headjoint.
I am also a power player, and this is what I like about the Forte. I think the Dolce has the Forza headjoint. That is a cool headjoint also, but it was a little TOO sweet for me. Once you get use to a Forte, it is like having a flute in stereo with woofers! Less resistance to me equals more control. The Forte can be a lot of work to play on. Similar to a Muramatsu headjoint(but definiteky not the same!)
But hey, who am I? I think the stock Quantz headjoint just fine for most applications.