From my vantage point this seems to be more of an American phenomenon (supposed feminization of male flutists) than a world-wide one. I've been to Europe a few times and it doesn't seem to even be an issue (I could be wrong on that, though).Meredith wrote:I know this is off-topic to the original post, but...
For the life of me, I've never been able to understand the brunt that male flutists are often forced to bear. It makes no sense to me that the instrument should be so commonly identified as "female" at the higher levels of performance, when you consider that the three greatest flutists of the past (Baker, Galway and Rampal... listed in alphabetical order, to avoid a war on who is/was the best) are men.
But I totally agree with the poster (can't remember who it was, sorry) who pointed out the meaningless distinction in gender when it comes to flute playing. It's true bunk that any male (me being one) has any type of physical advantage over a female flutist. I've seen many a petite female play the opening of Faun, slowly and appropriately (w/ centered sound; not intentionally holding back to conserve air while sacrificing quality, etc.), without taking a single breath. And I've seen many a big barrel-chested man who can't.
It's about technique, not physique.
SK