Practice, make sure you carry the same tone color from note to note. And I kinda if push with your air to get a strong attack at the beginning of each note so you don't start out shaky and level out into a good note you want start on a good note.. if it helps I was taught to "lean into" the notes when playing low legato notes most of the time.
Apart from correct breathing, air pressure etc. it's alwas good to moisture your pinkie for example by touching your forhead with it before passage (guess it was J.Zoon tip). Cheers
Thanks, yes, I think it is a good idea.
I will also try to strengthen my pinkie, although I am also a pianist and usually have no problem with the pinkie, but of course the flute is not the piano...
Bo, go for the nose 'tip'. Just take care not to use too much skin 'lubricant', because you may loose an important stability point which is the Eb key. Since your finger may slip without control. But that is also practice and I'm sure you will get it right soon
Thank you, Zevang. Yes, it is getting better with practice. I assume it is like with the piano. In "Playing the Piano for Pleasure" the author (Cooke) says one has to practice so-called "fractures" again and again and not be tempted to play a piece through when there are fractures. (Unfortunately many people are indeed tempted to play a piece through and neglect fractures or maybe just repeat them a couple of times...) One can apply the same principle to "playing the flute for pleasure"...
zummerzet_lou wrote:Trevor Wye has a section of exercises for this very problem in his "Technique" book .... lots of phrases using Low C, C#, D, Eb, E etc.
Agreed. Trevor Wye's Omnibus will sort out any other "gnomes" you may encounter too.